„My birds… trash…the future…,« (2004)
»Score for 7th Light« (2007)
»Free fonts« (2000-2005),
»Now Promise Now Threat« (2004) by Paul Chan.
“Mock Protest, Communist Summer Camp”, “Nixon Monument” and “Connecticut Senate Floor” from the series “My Life in Politics” and
photos “Hudson” and “Columbia College” from the series “My Audience” byTim Davis.
“The Natural Order Of Tact” (wood, oil, bootles, glue, artists books, flat-pack shelving, blu-tac, spray can, plastic, woolen blanket, static electricity, paper, cardboard) by Simon Denny.
On January 28th, 2008, Janez Janša, Janez Janša, and Janez Janša performed »Signature Event Context« at the Holocaust Memorial in Berlin, a walking action in the corridors of the Memorial. Each one of them, equipped with a GPS device, covered a different path within the Memorial’s structure this way, together assembling a common signature visible only in the internet. During the performance artists continuously repeated “Jaz sem Janez Janša, Jaz sem Janez Janša, Jaz sem Janez Janša…” (”My name is Janez Janša”). »Signature Event Context« at the Holocaust Memorial puts together 3 concepts (signature, event and context) from Derrida’s essay in complex relation; signature itself is an event which re-contextualizes the site of signature. The performance scheduled for the opening of TRANSMEDIALE.08 the 29th of January 2008 at 8.30 pm at the foyer of the Haus der Kulturen der Welt in Berlin, Germany, was conjunctively cancelled by the director of transmediale Stephen Kovats and the Guest-Curator Nataša Petrešin-Bachelez. Consequently, Janez Janša, Janez Janša and Janez Janša rescheduled the date of the action performing on January 28, 2008 at 00.01 am. Watch the performance.
“Inventory” by Carey Young. The artist was weighed on June 27 2007, the date on which this art work was commissioned. In consultation with two scientists, Dr. John Emsley (University of Cambridge) and Dr. Ilya Eigenbrot (Imperial College London), calculations were made as to the mass and current market value of each chemical element present in the artist’s body at the time of weighing. The total market value of these elements (expressed as a graphic on the wall) plus a print of the calculation data constitute the form of this piece. The calculated market value also represents the initial sale price of this piece.
“More of the Same” loads copies of one sound sample, causing the system to produce different sounds. By LoVid.
»Google Image Search«, 2003 -, is an ongoing project by Wolfgang Plöger where monothematical compendiums of books are made using the Google image search engine.
“An electric cupboard used as a temporary desk, version 1-4” from the series “Adaptation” by Sans façon.
»scratch-a-bit«, scratching the output bytes of your laptop’s trackpad “resonated” through hardware and software protocols. By Rodrigo Derteano.
»Untitled (Uniform Density Star Field)«, 2006, (an artificially created, uniform distribution of stars) by Damon Zucconi.
»20 Mistakes Make Me Wonder…«, 2007, (20 fluorescent lights prepared to malfunction) by Miguel Santos.
“Homographies” (Video), an interactive installation featuring 144 robotic fluorescent light fixtures controlled by 7 computerized surveillance systems and
“Pulse Room” (Video) by Rafael Lozano-Hemmer.
»Bitches Brew«, 2006, 13 minute video sampled from mostly male directed movies from the 60ies to today, the video shows women who take back control and power, fight off their attackers or take revenge on their assailants. By Heidrun Holzfeind.
“Flight” by Meridith Pingree. The sound of the footsteps is pitch-shifted it so low that the sound is barely audible, then amplified enough to create the live flapping motion in the bungee-suspended giant subwoofer creature.
“Dead Room” by Camille Norment.
For 3 minutes and 33 seconds at a time, eight large sub-woofers pulse a rhythm of bass frequencies that are too low for the human ear to actually hear. The space is silent, but the sound can be seen as the woofers throb their play cycles, felt as the sound waves move through the body creating a subtle intangible disturbance, and heard in the ‘helium voice’ disruption of the visitors’ voices.
“Organism”, a combination of an organ concert and a time based lightshow, by John Dekron and Gonzales.
»Woodhouse Bowling Club«, 2006, computer animation, and »Campiello S. Vidal 9:30 - 17:30«, video. By Svetlana Mircheva .
»Visions Of The World (Catania)«, 2007, and »Brickbats (Taccuini Di Guerra Incivile) PRESENT«, 2007, by Claire Fontaine.
»Untitled (Headset)«, 2007. A pair of headphones is altered so that one earpiece becomes a microphone, picking up its own sound from the speaker and creating a continuous feedback loop, which is disrupted by attempts to listen closer.
»Nothing (for Robert Barry)«, 2007 (Power-bar, electronic pest control devices) by Dave Dyment.
