NASTY VVORK

»Green River«, 1998 - 2000, (unannounced dumping of nontoxic green dye into rivers in four cities around the world: Los Angeles, Stockholm, Bremen and Moss). By Olafur Eliasson.

»Measuring Europeon Union«, 2005. 200 Euro Note Acrylic on Circa. Qing Dynasty Brick, 56.5 x 56x 8 cm.

»Flghting the Flood - Red Flag Canal«, 1994. Performance in Lin Xian, Henan Province.

»100% Performance Self-Portrait«, 1999 by Wang Jin.

»DÉJÀ VU - THE SEVENTH INTERNATIONAL LOOK-ALIKE CONVENTION«, (2004) by Matthieu Laurette.

»Windwalks«, (2007). A series of walks directed by the wind, filmed and plotted by GPS. By Tim Knowles

“Positioneringssysteem Pictura” and

“16 days on 44Ëš N, 18Ëš E” by Willem Besselink.

“Sans titre, still dancing on John Wayne’s head” by Bruno Peinado.

Excerpt from »Alone. Life Wastes Andy Hardy«, 1998, by Martin Arnold.

“Ausblick” by Martin Dörbaum.

»Photographing Girl on a Motorcycle«, 1999/2007 by Jo Mitchell.

»Double Happiness«, 2006 by Brian Reed.

“Mass Transaction” by Arijana Kajfes.

»DC Webcam«, 2006 by Mark Skwarek.

From the series “Items” by Thomas Mailaender.

Ruth Ewan’s »Did you kiss the foot that kicked you?« (2006) is an intervention inspired by the song »Ballad of Accounting« by the late English singer, songwriter and socialist Ewan MacColl. For one week, Ballad of Accounting was slipped into the musical repertoires of over 100 buskers and performed across the City of London as commuters journeyed to work.

“Perpetual study in defeat” by Paul Fryer.

»logos«, 1996-1998 by A.K.U.S.A. (Asmundur Asmundsson and Justin Blaustein).

»CUNNILINGUS IN N0RTH K0REA« by YOUNG-HAE CHANG HEAVY INDUSTRIES.

“Foriginal Media Hack No 1” and “Foriginal Media Hack No 2” by Ubermorgen.com.

“Acqua falsa” and

“Totó Treme Terra” by Chelpa Ferro.

»Intervention 7« (2007) by William Lamson.

“Original peruvian carpet and digital project for musicians” and

“Plectrums” by Daniel Dewar & Grégory Gicquel.

A bag of live »Snails« with a properly protected microphone introduced in its core. The resulting sound is amplified in the same room as the bag is standing. By Fernandes Avela?s.

“(P) Lot” - Conversion of ordinary car covers into portable tents. By Michael Rakowitz.

»(LOVE + HATE) x 100«, 2008 by MTAA.

“Ping Geography” by Cristobal Mendoza translates the current network ping times into geographical distances.

“Work No. 785” (Japanese Maple, Persian Ironwood, Hornbeam, Apple and Oak. Five pieces, planting heights ranging from 24 ft. to 2 ft) by Martin Creed.

“In the 1960s and 70s capitalism was subject to criticism by conceptual artists like Hans Haacke, Claes Oldenburg, etc. Ironically, critical works from this period are now found in corporate art collections…”

From »On The Prowl« by Miriam Steinhauser.

»HQ/Cut-Out Munich IV«, 2006, »HQ/Cut-Out London IV«, 2006 and

»Model Headquarter Vavey«, 2006 by Miriam Steinhauser.

“The Family Tree” by Jay Heikes.

»The Extras«, 2005-2006, video 13 min. The stars of the video are extras, background performers used in the crowd scenes of films and television series. In the video, an invisible director is telling the Extras to take various positions and formations. The Extras’ reflective clothing and signs they are holding symbolise their work as a background surface, a collective mass whose only purpose is to spotlight the main events and stars. In the background of the video, a voiceover is reading the Extras collective feelings about absurd shooting situations. By Szuper Gallery.

»The Extras«, Sunday, October 16, 2005. Performance with 20 Extras, 3 speakers, 2 directors, 3 cameras, 1 photographer, Mylar placards and banners, held at the square strium of Vancouver public library. By Szuper Gallery. <a href="http://www.setproject.ca/szupergallery/extras/quicktime/1.mov
" target="_blank">Video.

Picture form the series “Internet access” by Peter Piller.

“Transition Soundings” (Video) by David Birchfield.

»Brickbreaker«, 2003.

»Finger Man«, 2004.

»Snake Man«, 2004. Videos by Tomaž Tomažin, where he edits his own face into existing footage.

“Fascinum” (2001) by Christophe Bruno. “Fascinum” shows the news pictures that are the most viewed (ranked from 1 to 10) on different national Yahoo portals, in real time.

“Glassworks” by Kris Vleeschouwer.

“I’m not trying to make history here” by Michael Phelan.

»Platano Pride«, (2006),

»Filiberto Ojeda Uptowns/Machetero Air Force Ones«, (2006) by Miguel Luciano.

(>’.')>=O____l_*__O=<('.'<), (2008)

? ?, (2008) by Oliver Laric.

»Land Mark« (Foot prints) #2, Set II, 2001-2004,

Still from »Returning a Sound«, 2004 by Jennifer Allora & Guillermo Calzadilla.

»…into the centre of things«, 2003 by Beatrice Jugert.

“Distillation”, an installation with amplified sheets of melting ice by Dan St. Clair.

“The White House” by Joonho Jeon. Video.

Video still from “White House” by Lida Abdul.

“Nothing Happens” by Nurit Bar-Shai, Rich Miller, Yishay Schwerd and Zachary Lieberman.

»Thought Bubble (oh god(Nietzche’s mum(Joke)))«, 2004

»Bible«, 1997. Every word in the Bible arranged in alphabetical order and printed. By Rory Macbeth.

“The Economist / Esthetic Moon” by Alexandre Singh.

»Give Us Today Our Daily Terror«, 2008 - ongoing. Exact copy of Hitchcock’s 1963 film The Birds from which all birds have been removed. Single channel video, color, 119 minutes. By Martijn Hendriks. Video excerpts <a href="http://www.martijnhendriks.com/?page_id=113
" target="_blank">1, <a href="http://www.martijnhendriks.com/?page_id=114
" target="_blank">2 and 3.

»Circle in circle«, 2006, cast chocolate with fiberglass, motor, chain, 61 cm diameter.

»We joked that under the paving slabs there was gold«, 2001, CD Rom and Poster on canvas. By Kelley Walker.

“For All the Lost Seaside Attractions” by Lucy Harrison. Flag showing photographs of Canvey Island Casino, Victoria Pier Folkestone, Spanish City Whitley Bay and West Pier Brighton.

»Dust«, 2005-2007 by Mona Vatamanu & Florin Tudor.

Mladen Stropnik’s youtube channel.