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NASTY VVORK

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»I Want to be Welcome Everywhere, Always«, 2008 - ongoing (ceremonial keys to various cities) by Jon Sasaki.

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»371 Grand«, 2006 (Five cast alloy keys from Reena Spaulings Fine Art, New York made using the method of key duplication deployed by the F.B.I.) by Claire Fontaine.

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“Coppice”, 2007 (various plants causing a detour within the building) and

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“BG”, 2007 (set of keys necessary to get access into every room of the building) by Mandla Reuter.

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“Impermeable”, 2003 (plastic, water, wire, fluorescent light bulbs) by Alejandro Almanza Pereda.

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»Five Films«, »Lost Sea« and »One Way«, 2008 by Alexandr Skarlinski.

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“Insurance Job” and “Electric Radiator” from the series “Fire Scene”, 2007 by Sarah Pickering.

»A Grammar of the Multitude« (For an Analysis of Contemporary Forms of Life), 2004 by Paulo Virno.

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»Blowjob«, 2008 by Wojciech Kosma.

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“Untitled (Conservative, Traditional, Ultra Traditional)”, 2005 by Gardar Eide Einarsson.

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»A Sculpture for the Ahmed Family«, 2005 (detail) is part of a series that Chris Evans is making with various people around the world regarded as belonging to their counry’s ‘elite’.

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“Telefunken anti”, 2004 by Carsten Nicolai.

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» Objects Of Desire «, 2005-2008 by Carlos Katastrofsky . A numbered, but unsigned set of sentences which disappears from the screen as soon as the next set is automatically displayed allows the visitor to be the owner of a unique work of art, but only as long as he/she keeps it in mind.

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Framing Leaders” by Shahee Ilyas. “Framing Leaders” is a website consisting of algorithmically generated framed pictures of Heads of Governments based on their length in power, latest Press Freedom Index (RSF) and Corruption Perceptions Index (TI) for the country. Leaders are all about borders, power, constrains which the algorithm translates to ornaments, proportions, matting and darkness.

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“Rome to Tripoli”, 2006 by Paul DeMarinis.

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Detail from “The Rebel Sell” – an ongoing collection of researched examples of revolutionary vocabulary found in commercial contexts. By Dan Griffiths.

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»Local Newspaper (Wilhelmsburger Wochenblatt)«, 2007, is an attempt to track down and photograph all of the 312 people mentioned by name in the 28th February 2007 edition of a small local newspaper in Hamburg, Germany. By Lenka Clayton.

www.blownupblowup.com, 2008 by Constant Dullaart.

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»I Wanted to See All of the News From Today« (Aggregating - daily - the front pages of all printed national newspapers from around the world into one place. (Currently includes 618 titles)) by Martin John Callanan.

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»Untitled«, 2008,

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»Untitled«, 2007 by Tobias Madison.

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Everything I’ve Ever Wanted to Know“, 2007 by Martine Syms.

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Kjell Bjorgeengen/Aernoudt Jacobs“, 2006.

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»Cérémonie« by Mathis Collins.

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»Happy Trails Supersized (from Parade Float Graveyard)«, 2004-2005 by Amy O’neill.

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“Time After Time: Blow Up No. 3″, 2007 by Ori Gersht.

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Instructions for making the “Ecolo” flower-vase, 1995 by Enzo Mari.

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Photographs by Kristina Lenard .

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“Battlefield #29/Welcome”, 2007

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“Battlefield #37/Focus”, 2008. Living sculpture, 20 persons as viewer/audience stand up from 12-20h. The real viewer join the group and belong to the sculpture.

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“Real time keyword”, 2007. A LED screen prompting text generated by the Lycos Voyeur site that is able to display, in real time, all the keywords typed by people searching the web through Lycos search engine. Projects by Jérôme Leuba.

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»Place Of Living«, 2008, is an audio-visual system which starts up with the interaction between 16 sources laser light, a computer in communication with the system of optical sensors and the x visitor whose movement activates the sound and establishes one, from the limitless range of possible and always new, temporary transformations/variations of the “place”. By Tanja Periši?.

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“Palette”, 2007 (objet trouvé made out of mahogany, restored) and

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“Printer” from the series “Stand by”, 2003 by Alicja Kwade.

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»Filmspace«, 2006-2007, is a series of stills from movies placed and montaged together to produce a new space. By Dennis Neuschaefer-Rube.

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»Paris was Yesterday« (2007) curated by Hanne Mugaas.

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»Records Played Backwards« (2008) curated by Daniel Baumann.

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»Playlist« (2004) curated by Nicolas Bourriaud.

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»The New Normal« (2008) curated by Michael Connor.

“You could really say these are also exhibitions. These are exhibitions which are not material, but which are more virtual, virtual in the sense of them always being able to be reactualized. They can be revisited and reactualized and updated, and they are also not related to a place. The exhibition can go to where the viewer is. Anybody in the world can download these formulas and pin them on the wall, or they can do their own and trigger their own formulas. We are in the very early days of understanding how the Internet can be used for exhibitions. For instance, there was Do It, where with e-flux.com, we developed an online project, where anybody who sees the instructions online can download them and can then send their feedback. They can send a photograph of their interpretation. And then, all of a sudden, we have many different possible interpretations of an artwork. It is the very early days, but I see a great potential for these digital exhibitions for my curatorial work in the next years.”

»A RULE OF THE GAME« (2008). A Talk With Hans Ulrich Obrist.

»Nato Thompson Interview« (2004).

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»Hottest To Coldest«, 2008, is a website that continuously arranges a list of all the worlds national capitals according to their current air temperature.
By Aleksandra Domanovic.

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»Amateur Bodybuilder Gradient«, 2007,

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»Disaster«, 2007 by Dafna Maimon.

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Flipped clock“, 2008 by Thomson & Craighead.

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From the series “For Art’s sake” by Daniëlle van Ark.

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»Erin in Yamamoto SS’03« by Maria Eisl.

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»Father & Son (Hooded Prisoner and Child)«, (2005) by Claire Fontaine.

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“Disguised in Perham”, 2003 by Franco Angeloni.

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“Untitled (Line after Nauman’s The True Artist Helps the World By Revealing Mystic Truths)”, 2004 by Peter Coffin.

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“Untitled”, 2006 and “Arista Vacia (for Jorge Otezia)”, 2007 by Anselm Reyle.

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»TEARS FOR THE FUTURE« (2008) by Javier Morales and John Michael Boling.

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“Practice for locality and non-locality derived from diffraction of lights” by Minoru Sato.

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“Prism” by Melanie Schiff.

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“Impromptu” by Charly Steiger.

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“Full length” by Jack Falanga. Full length mirror custom to the artist’s width and height 16 3/4” x 73 1/2”.

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