NASTY VVORK

»Disney Couture«, 2007-1937, and

»Paramountains«, 2008 by Kari Altmann.

“Surfers”, 2006 by Damien Roach.

»She is in wonderful shape!«, 1977 by Guy de Cointet.

»Club Internet: Contact (1997)«, July 25, 2008 - August 19, 2008, curated by Damon Zucconi. Works by: Christopher Byler, Garrett Davis & Kieran Gillen, Aleksandra Domanovic, Harm van den Dorpel, Marcel Duchamp, Nathan Hauenstein, Martijn Hendriks, Jeremy Hughes & Ken Seeno, KUO I-Chen, Hugh Pocock, Jordan Rhoat, Ken Seeno, Alexandr Skarlinski and James Whipple.

»Tallaght/Dublin« by Lilli Kuschel.

»Untitled Billboard«, 2007 by Harrell Fletcher.

Installation view of “Passé Immédiat”, 2007 by Christian Philipp Müller. About 600 outdated computers, monitors, keyboards, printers… (partly running).

Dajiyuan, Daily Jang, Frankfurter Allgemeine Zeitung, USA Today and Wallstreet Journal Europe. »Online Newspapers«, 2004, by Olia Lialina.

»Family Pass«, 2008 by Mateo Tannatt.

“Open Sky”, 2008 by Manuel Gorkiewicz.

»Loop«, 2007 by Zoro Feigl

“The Wavering Skies” by Germaine Kruip. A slow moving shadow is created by 300 computer-controlled halogen lamps hung above a translucent fabric ceiling.

“ForgetFlavin“, 2008 by Anne Katrine Senstad.

“Five Days Towards a New Modernism (Beijing)”, 2007 by Stephanie Syjuco.

»O Between Fans«, 2006 by Zilvinas Kempinas.

»Junge Tüten« (Young Bags), 1990

»Wörlitzer Bahnhof« (abandoned railroad track, re-polished) 1999 by Timo Kahlen.

“Philippe”, 2008 by Fayçal Baghriche . Video.

»Griezdale artfarm«, 2006 by Philippe Rahm.

From the 1st until the 31st of July, Lenka Clayton and James Price will be travelling the 1247 kilometres between the village of James, France and the village of Lenka, Slovakia by bicycle, train and boat.

»Griezdale artfarm«, 2006 by Philippe Rahm.

From the 1st until the 31st of July, Lenka Clayton and James Price will be travelling the 1247 kilometres between the village of James, France and the village of Lenka, Slovakia by bicycle, train and boat.

»Walking Backwards for Ten Kilometres«, 2002 by Hamish Fulton.

»Joggers (postcapitalism section 9)«, 1999 by Frank Perrin.

“Run Motherfucker Run”, 2001/2004 by Marnix de Nijs.

“Man running” by Ola Rindal.

“Work No. 850“, 2008 by Martin Creed.

»Untitled«, 2008 by Igor Eskinja.

»Untitled«, 2006, incinerated laptop by Maria del Carmen Montoya.

“Sotto Tensione”, 2008 by Stefan Sakic.

»Perfect Weather (Berlin)«, 2008, by Aleksandra Domanovic.

»Kraftwerk 2«, 2005 by Johannes Wohnseifer.

»Kraftwerk 2«, 2005 by Johannes Wohnseifer.

»Tower«, 2008, by Aids 3D.

»Untitled«, 2008, by Anouk Kruithof.

»A Forest«, 2004, a pine tree growing inside a functioning computer. By Juneau Projects.

»Alphabetized Bible«, 2006, by Tauba Auerbach. See also »Bible«, 1997, by Rory Macbeth.

“Dust Cover”, 2008 and “Double Santa”, 2005 by Roe Ethridge.

“The Eighth Chimney”, 2007,

“Psycho-Mapping Europe”, 1998,

“Schwedisch-Französiche Mitteilung 1/5″, 2006 by Jan Svenungsson.

»Diverses Mobiliar«, 2004.

»Organism«, 2005, a 12 hour installation with church organ amplified into a light organ, at the St Jean de la Montmartre in Paris. By <a href="http://www.galerie-buergel.de/Works.123.0.html?
" target="_blank">Nina Rhode.

“Skiringsheimen” by Arild Tveito in collaboration with Anders Nordby and Eirik Sæther.

»Projection«, 2006,

»Bukhara (red and white)«, 2008 by Mona Hatoum.

»www.petrafael.com«, 2008 by Rafaël Rozendaal.

»Remote Controlled Hand«, 2007,

»Dipping Duck Orchestra«, 2007 by Kitty Clark.

“Palmier”, 2007 by Julien Berthier.

»Vital Psigns« is a social experiment that seeks to address individual mind power and the potential for human/plant communication. By the Center for Tactical Magic.

»De mobiele volkstuin I«, 2006, installation by Annechien Meier.

“Laboratory for Ephemeral Investigations”, 2002 by Jennifer Hall and Blyth Hazen.

»Waiting For The Rain«, 2008, by Carla Mattii.

“Bewegliche Landschaft”, 2003 (aluminiumcontainer, partly replanted) by Lois & Franziska Weinberger.

»Trial of Judas With Constant Reference to Dorothy Retallack«, 2007, tomato plants exposed to the infamous judas priest record, played backwards and forwards. By Tony Romano.

Reverse play and normal play (3 weeks later).